Some sleeper hits in the film industry are strategically marketed for audiences subtly, such as with sneak previews a couple of weeks prior to release, without making them feel obliged to see a heavily promoted film. This alternative form of marketing strategy has been used in sleeper hits such as Sleepless in Seattle (1993), Forrest Gump (1994), My Best Friend's Wedding (1997), There's Something About Mary (1998), and The Sixth Sense (1999).
Original poster for 'Easy Rider' |
Easy Rider (1969), which was created on a budget of less than $400,000, became a sleeper hit by earning $50 million and garnering attention from younger audiences with its combination of drugs, violence, motorcycles, counter-culture stance, and rock music.
The 1979 Australian film Mad Max, which sprung from the Ozploitation movement and helped to popularise the post-apocalyptic dystopia genre, held the record for the biggest profit-to-cost ratio for several years until it was broken by The Blair Witch Project in 1999.
'Mad Max' poster |
Its success caused other slasher films to try the same approach, although few fared as well since horror films heavily rely on opening weekend box-office and quickly fall from theaters.
Other notable examples of horror sleeper-hits to follow in Halloween's wake include A Nightmare on Elm Street in 1984, Scream in 1996, The Blair Witch Project in 1999, Saw in 2004, and Paranormal Activity in 2007.
In music
Cover art for the single "What I Like About You" by the artist The Romantics. |
In 2008, Raphael Saadiq released his classic soul-inspired album The Way I See It, which became a sleeper hit. Overlooked upon its release, it ended up charting for 41 weeks on the US Billboard 200.
"Poker Face" and "Just Dance" by Lady Gaga were both released in 2008 but didn't become popular until 2009.
In November 2010, Miguel released his debut album All I Want Is You. It initially performed poorly, debuting at number 109 on the Billboard 200 with sales of 11,000 copies, and was underpromoted by his record label. However, it became a sleeper hit, as its singles attained radio airplay and Miguel toured in its promotion, and ultimately sold 404,000 copies.
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